Exhibitions
- 2025Remo Salvadori, Palazzo Reale, Museo del Novecento, church of San Gottardo in Corte, Milan
No’ si volta chi a stella è fisso, 2004 (2025), Sala delle Cariatidi, Palazzo Reale, Milan, 2025Milan showcases the work of Remo Salvadori (Cerreto Guidi, 1947) with a widespread exhibition involving three symbolic locations in the city—Palazzo Reale, Museo del Novecento, and the church of San Gottardo in Corte—offering the public an immersive experience in the artist's practice and thinking.Promoted by the City of Milan – Culture and produced by Palazzo Reale and Eight Art Project in collaboration with Museo del Novecento and Veneranda Fabbrica del Duomo di Milano, with the patronage of the Ministry of Culture, the exhibition is curated by Elena Tettamanti and Antonella Soldaini. - 2024-2025Remo Salvadori, Christian Stein, Milan
InvitationThere are invisible and miraculous channels that transfer, from the upper heavens to the lower earth, qualities and powers, benefits, positive or negative energy, depending on use and purpose. We are dazzled by both the Golden Sun and the Black Sun, the occult planet that is Saturn, that is lead, which neither light nor radiation can pass through - 2024-2025Remo Salvadori, BUILDING, Milan
Nove giornate, 2024On the occasion of the seventh anniversary of the gallery's opening, from October 24, 2024 to January 28, 2025, BUILDING hosts "Remo Salvadori", a solo exhibition dedicated to the artist who opened the same spaces to the public in October 2017 - 2018Remo Salvadori. Continuo Infinito Presente / Sostare / Nel Momento, Stiftung Insel Hombroich, Neuss
In the foreground No' si volta chi a stella è fisso, 2004 (2018); inside the room Continuo infinito presente, 1985 (2007); in the background L'osservatore non l'oggetto osservato, 1985 (2013)What one imagine and what one finds, which remains . . . At Hombroich everything becomes intentionality already upon the first encounter, like words still at their origin. . . . Hombroich, a European location in Europe: walking or stopping in places with no roof is truly different - 2017-2018Remo Salvadori, Christian Stein, Milan
In the foreground Continuo infinito presente, 1985 (2009); on the wall Nel momento, 1974 (2007)In the exhibition spaces of Pero, Remo Salvadori sets up three large rooms with works from the 1970s to the present day that constitute, in themselves, a great episode of organic vision: numerous cues are provided for the knowledge of an action that, while tracing its own furrows for an aesthetics of harmonic sensibility - 2017-2018Remo Salvadori. Continuo infinito presente, BUILDING, Milan
From left to right: I sette metalli, 2017; Stella, 2017; Alveare, 1996 (2017)BUILDING dedicates its inaugural exhibition (October 27, 2017 – January 27, 2018) to Remo Salvadori, a solo show that spans four of the building’s six floors, shaping for the first time the spaces of Via Monte di Pietà. The exhibition aims to create a symbiosis between the space and the works, a harmony between the viewer and the object. - 2016Remo Salvadori. Né da né verso, Chiesa delle Lacrime, Piazza Duomo, Accademia di Belle Arti, Carrara
Continuo infinito presente, 1985 (1997), Piazza Duomo, Carrara, 2016To feel beauty, to embrace it, to enjoy its presence as when walking in a garden, as when walking near the sea. If matter is in itself luminous, the work of that material luminosity foreshadows and already enjoys the numinous immaterial matrix. - 2016Remo Salvadori. Nel punto immobile del mondo rotante, Chiesa di San Giacomo, Forlì
Nel momento, 1974 (2016)The exhibition was titled “Remo Salvadori. Nel punto immobile del mondo rotante”, from a line in a poem by T. S. Eliot, which for Salvadori suggests the theme of “staying.” The exhibition was organized around a Continuo infinito presente, 1985 (2016), placed on the floor of the nave in a central position with respect to the length of the building, and a large Nel momento, 1974 (2016), in lead and copper, set horizontally on the vault of the ceiling at a height of 22 meters - 2012Tridimensionale, MAXXI Museo nazionale delle arti del XXI secolo, Rome
In the foreground Triade, 1987-1988 (2000); on the left wall Alveare, 1996 (2012); on the right wall Nel momento, 1974 (2009)MAXXI Arte introduces a new presentation of its collection that reflects on the relationship between space and object, a fundamental point of reference for contemporary artistic research. From Maurizio Mochetti to Juan Muñoz, from Remo Salvadori to Thomas Schütte and Franz West - 2009Semper. Bagnoli, Bianchi, Salvadori nel palazzo di Clemente VII, Palazzo Medici Riccardi, Florence
Nel momento, 1974 (2009)“Semper. Bagnoli, Bianchi, Salvadori nel palazzo di Clemente VII” invites the three artists to intervene inside Palazzo Medici Riccardi. The title of the exhibition, curated by Carlo Francini, Sergio Risaliti, and Francesco Vossilla, refers to the context of the palazzo, a location dense with history
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